Abdel, a local hoodlum, is hospitalized after a riot, where a policeman lost his gun. His friend Vinz finds it and claims he will kill a cop if Abdel dies.
When he was just twenty-nine years old, Mathieu Kassovitz took the international film world by storm with La haine (Hate), a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically in the low-income banlieue districts on Paris’s outskirts. Aimlessly whiling away their days in the concrete environs of their dead-end suburbia, Vinz, Hubert, and Saïd—a Jew, an African, and an Arab—give human faces to France’s immigrant populations, their bristling resentments at their social marginalization slowly simmering until they reach a climactic boiling point. A work of tough beauty, La haine is a landmark of contemporary French cinema and a gripping reflection of its country’s ongoing identity crisis.
(If you haven't watched this, then you're missing out.)